This richly illustrated book celebrates in words and pictures the beautiful work that award-winning artist Alan Lee produced for J.R.R. Tolkien''s The Hobbit, and includes dozens of brand-new paintings and pencil drawings exploring the world of Bilbo Baggins. Since The Hobbit was first published in 1937, generations of readers have fallen under its spell. That magic was reignited sixty years later, when Alan Lee was commissioned to produce a special illustrated edition, and his delicate pencil drawings and beautiful watercolour paintings have become for many the definitive vision of J.R.R. Tolkien''s Middle-earth. In this sumptuous, large-format hardback Alan Lee reveals in pictures and in words how he created these images, which would prove so powerful, matching perfectly with Tolkien''s own vision, that they would eventually define the look of Peter Jackson''s film adaptations and earn Alan a coveted Academy Award. The Hobbit Sketchbook is filled with more than 100 of his sketches and early conceptual pieces that reveal how the project progressed from idea to finished art. It also contains a wealth of brand-new full-colour paintings and sketches drawn specially for this book, which unlock the secrets of how Alan creates his own magic and provide a fascinating insight into the imagination of the man who breathed new life into Tolkien''s vision.
It''s not until you''re broken that you find your sharpest edge "I was born for killing - the gods made me to ruin" At the Convent of Sweet Mercy young girls are raised to be killers. In a few the old bloods show, gifting talents rarely seen since the tribes beached their ships on Abeth. Sweet Mercy hones its novices'' skills to deadly effect: it takes ten years to educate a Red Sister in the ways of blade and fist. But even the mistresses of sword and shadow don''t truly understand what they have purchased when Nona Grey is brought to their halls as a bloodstained child of eight, falsely accused of murder: guilty of worse.
Nona Grey''s story reaches its shattering conclusion in the third instalment of Book of the Ancestor. THEY CAME AGAINST HER AS A CHILD. NOW THEY FACE THE WOMAN. The ice is advancing, the Corridor narrowing, and the empire is under siege from the Scithrowl in the east and the Durns in the west. Everywhere, the emperor''s armies are in retreat. Nona faces the final challenges that must be overcome if she is to become a full sister in the order of her choice. But it seems unlikely that Nona and her friends will have time to earn a nun''s habit before war is on their doorstep. Even a warrior like Nona cannot hope to turn the tide of war. The shiphearts offer strength that she might use to protect those she loves, but it''s a power that corrupts. A final battle is coming in which she will be torn between friends, unable to save them all. A battle in which her own demons will try to unmake her. A battle in which hearts will be broken, lovers lost, thrones burned. HOLY SISTER completes the Book of the Ancestor trilogy that began with RED SISTER and GREY SISTER. A ground-breaking series, it has established Mark Lawrence as one of the most exciting new voices in modern speculative fiction.
Second novel in the brilliant new series from the bestselling author of PRINCE OF THORNS. In Mystic Class Nona Grey begins to learn the secrets of the universe. But so often, knowing the truth just makes our choices harder. Before she leaves the Convent of Sweet Mercy, Nona must choose her path and take the red of a Martial Sister, the grey of a Sister of Discretion, the blue of a Mystic Sister or the simple black of a Bride of the Ancestor, entailing a life of prayer and service. Standing between her and these choices are the pride of a thwarted assassin, the ambition of a would-be empress wielding the Inquisition like a blade, and the vengeance of the empire''s richest lord. As the world narrows around her, and her enemies attack her using the very system she has sworn to, Nona must forge her own path in spite of the pulls of friendship, revenge, ambition, and loyalty. In all this only one thing is certain. There will be blood.
Let acclaimed Tolkien artist John Howe take you on an unforgettable journey across Middle-earth, from Bag End to Mordor, in this richly illustrated sketchbook fully of previously unseen artwork, anecdotes and meditations on Middle-earth. Middle-earth has been mapped, Bilbo''s and Frodo''s journeys plotted and measured, but it remains a wilderland for all that. The roads as yet untravelled far outnumber those down which J.R.R. Tolkien led us in his writings. A Middle-earth Traveller presents a walking tour of Tolkien''s Middle-earth, visiting not only places central to his stories, but also those just over the hill or beyond the horizon. Events from Tolkien''s books are explored - battles of the different ages that are almost legend by the time of The Lord of the Rings; lost kingdoms and ancient myths, as well as those places only hinted at: kingdoms of the far North and lands beyond the seas. Sketches that have an ''on-the-spot'' feel to them are interwoven with the artist''s observations gleaned from Tolkien''s books as he paints pictures with his words as well as his pencil. He also recollects his time spent working alongside Peter Jackson on the Lord of the Rings and Hobbit film trilogies. Combining concept work produced for films, existing Middle-earth art and dozens of new paintings and sketches exclusive to this book, A Middle-earth Traveller will take the reader on a unique and unforgettable journey across Tolkien''s magical landscape.
In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwe, chief of the Valar. Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo''s desires and designs. Into this world comes Tuor, cousin of Turin, the instrument of Ulmo''s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon''s daughter, and their son is Earendel, whose birth and profound importance in days to come is foreseen by Ulmo. At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Earendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Earendel, which Tolkien never wrote, but which is sketched out in this book from other sources. Following his presentation of Beren and Luthien Christopher Tolkien has used the same ''history in sequence'' mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ''the first real story of this imaginary world'' and, together with Beren and Luthien and The Children of Hurin, he regarded it as one of the three ''Great Tales'' of the Elder Days.
The definitive edition of this beloved children's classic, featuring a wealth of accompanying illustrations and notes which take the reader further into both the story, and the tale of how it was written. Seldom has any book been so widely read and loved as J.R.R. Tolkien's classic tale, The Hobbit.